LOS ANGELES TIMES, Jan. 27, 1980 (an original vintage newspaper leaf from the Calendar section)  This offering consists of four complete pages (two double-sided sheets on one single leaf), serving as a rare piece of cinematic ephemera, highlighted by an original vintage print advertisement announcing the opening day release of  "FATSO" starring Dom Deluise on one of the pages. (see images).

In addition to the featured movie ad, which captures the era's distinct theatrical promotional graphics and classic key art, the surrounding pages provide a fascinating snapshot of late 20th-century entertainment and pop culture. Printed on authentic newsprint with genuine vintage toning, this original leaf is not a modern reprint, making it an ideal piece for custom framing, film history display, or inclusion in a dedicated cinema memorabilia collection.

Own a rare slice of cinema history straight from the home of the entertainment industry

Background: Fatso (1980) stands out as a poignant yet humorous exploration of compulsive eating, cultural identity, and emotional vulnerability, marking the sole feature film written and directed by Oscar-winning actress Anne Bancroft. Produced as the inaugural project for Mel Brooks's production company, Brooksfilms, the movie follows Dominick DiNapoli (Dom DeLuise in a acclaimed performance that balances slapstick comedy with rare emotional nuance), a middle-aged Italian-American man whose life revolves around food, family, and tradition. Triggered by the premature death of a cousin due to obesity, Dominick faces relentless pressure from his fierce sister, Antoinette (played by Bancroft herself), to lose weight, leading him through a chaotic journey of desperate diets, night-binge panics, and joining a support group called the "Chubby Checkers." The film's notable core lies in its sympathetic, unvarnished depiction of food addiction—a subject rarely treated with such empathy in 1980s cinema—interwoven with a tender romance between Dominick and an antique shop owner, Lydia (Candice Azzara), ultimately shifting the focus from radical body transformation to self-acceptance and emotional healing.