Early 1964 Newport Folk Festival ad... Bob Dylan...
Item # 728554
·
THE VILLAGE VOICE (weekly), Greenwich Village, New York, July 16, 1964
* Newport Folk Festival - music concert
* Year before Bob Dylan's electric controversy
Page 9 has a early advertisement for the "Newport Folk Festival" in Rhode Island. This ad measures 3 1/4 x 3 1/4 inches. (see image) This was a 4 day event and has a list of all the performers including Bob Dylan and Joan Baez.
Background: The 1964 Newport Folk Festival (July 23–26) stands as a watershed moment in American music history, capturing the 1960s folk revival at its absolute acoustic peak while quietly forecasting its impending evolution. Gathering over 70,000 attendees, the event was culturally significant for serving as a powerful platform for the Civil Rights Movement—with artists like Joan Baez leading unifying anthems—and for facilitating the historic rediscovery of foundational Delta blues legends such as Skip James, Mississippi John Hurt, and Son House. Crucially, the festival marked Bob Dylan’s final strictly acoustic appearance at Newport, where he debuted complex, introspective songs like "Mr. Tambourine Man" and "Chimes of Freedom". This shift away from traditional, political protest songs toward poetic surrealism alienated some folk purists, but it set the groundwork for the birth of folk rock and Dylan's legendary electric transition the following year. Preserved in Murray Lerner’s iconic concert film Festival, the 1964 gathering remains a paramount symbol of 1960s counterculture, where traditional American roots music bridged the gap into modern rock consciousness.
I suspect this to be an extremely rare item because there was really no reason to save it at the time.
The Village Voice was an American counterculture newspaper known for being the country's first alternative newsweekly. It introduced free-form, high-spirited, and passionate journalism into the public discourse - a tradition it maintained throughout its 60+ year history. It is quite common to find great political cartoons, satirical cartoons and articles, thought-provoking editorials, and ads and reviews for both concerts and theater productions - both on and off Broadway. Many iconic writers and musicians credit their appearance in The Village Voice for at least a portion of their success.
Complete in 20 pages, tabloid-size, one crease across the center, very nice condition.
Provenance note: This issue comes from The Village Voice's own archives, part of their in-house collection used to create their digital archive.
Alert: Many issues of The Village Voice contain articles and/or photos which some consider offensive, and are certainly inappropriate for children. Please purchase with discretion.
* Newport Folk Festival - music concert
* Year before Bob Dylan's electric controversy
Page 9 has a early advertisement for the "Newport Folk Festival" in Rhode Island. This ad measures 3 1/4 x 3 1/4 inches. (see image) This was a 4 day event and has a list of all the performers including Bob Dylan and Joan Baez.
Background: The 1964 Newport Folk Festival (July 23–26) stands as a watershed moment in American music history, capturing the 1960s folk revival at its absolute acoustic peak while quietly forecasting its impending evolution. Gathering over 70,000 attendees, the event was culturally significant for serving as a powerful platform for the Civil Rights Movement—with artists like Joan Baez leading unifying anthems—and for facilitating the historic rediscovery of foundational Delta blues legends such as Skip James, Mississippi John Hurt, and Son House. Crucially, the festival marked Bob Dylan’s final strictly acoustic appearance at Newport, where he debuted complex, introspective songs like "Mr. Tambourine Man" and "Chimes of Freedom". This shift away from traditional, political protest songs toward poetic surrealism alienated some folk purists, but it set the groundwork for the birth of folk rock and Dylan's legendary electric transition the following year. Preserved in Murray Lerner’s iconic concert film Festival, the 1964 gathering remains a paramount symbol of 1960s counterculture, where traditional American roots music bridged the gap into modern rock consciousness.
I suspect this to be an extremely rare item because there was really no reason to save it at the time.
The Village Voice was an American counterculture newspaper known for being the country's first alternative newsweekly. It introduced free-form, high-spirited, and passionate journalism into the public discourse - a tradition it maintained throughout its 60+ year history. It is quite common to find great political cartoons, satirical cartoons and articles, thought-provoking editorials, and ads and reviews for both concerts and theater productions - both on and off Broadway. Many iconic writers and musicians credit their appearance in The Village Voice for at least a portion of their success.
Complete in 20 pages, tabloid-size, one crease across the center, very nice condition.
Provenance note: This issue comes from The Village Voice's own archives, part of their in-house collection used to create their digital archive.
Alert: Many issues of The Village Voice contain articles and/or photos which some consider offensive, and are certainly inappropriate for children. Please purchase with discretion.
Category: The 20th Century
Price
$52
100% Authentic: Original printing, never a reproduction.